Author Archives: Shelley Vermilya

Where the truth lies: Ariel Levy, writer for The New Yorker

On Ariel Levy,  Writer for  The New Yorker

Where the truth lies is somewhere, and Ariel Levy wants to find it. She is always searching for what is holding up the façade of normal. She builds her essays on a foundation carefully construed of complex legal, economic, or social information. Her craft is in the synthesizing she does with her research and insight. I think her feminist, lesbian, no-nonsense aesthetic guides her perceptions, hones her awareness; much like a master carpenter has the ability to see the way the pieces of a blueprint need to shift for alignment. Everything Levy approaches is stripped of the usual assumptions to reveal a streamlined description. She’s got attitude and pluck, but she never slips into the abyss of rhetoric or political correctness. She likes facts, but doesn’t allow them to hold her hostage. There’s room to find humor, even when she is at her most incredulous, as she was as she strode right into Spring Break in Florida with raucous vacationing college kids (her book, Female Chauvinist Pigs).  Nor did the wreckage of the 2013 rape scenario in Steubenville, Ohio (‘Trial By Twitter,’ August 5, 2013) daunt her. In that essay she hammers through the impact of social networking on Steubenville’s criminal justice endeavors. There is a lot of evidence for investigators now on Twitter, YouTube, and Facebook and Levy considers how bloggers can blow all kinds of things into and out of proportion. She suggests, “By the logic of vigilantism, the need for justice supersedes the rules of a creaky bureaucracy.” I immediately thought of one of Levy’s predecessors, The New Yorker’s Paris correspondent Janet Flanner, who wrote in 1936 of democracy moving at the pace of stagecoaches while fascism traveled at the speed of airplanes.

Flanner was writing about Adolf Hitler’s fascism vs. democracy, Levy about our legal system catching up with electronic communications. Both, it seems, consider social values and the speed of change. Flanner was a New Yorker foreign correspondent for fifty years. One of my favorite quotes for the prose and the perspective is, “History looks queer when you’re standing close to it, watching where it is coming from and how it’s being made.”

Levy is a writer with a similar astute sensibility. Her essay The ‘Perfect Wife’ (September 30, 2013) is about Edith Windsor and the fight for justice for same sex couples. Our Rosa Parks if you will. Windsor is 84. She was in relationship with Thea Spyer for over forty years. Their life together began in the era when dancing closely or not wearing three items of clothing that matched their sex were illegal and same sex couples stayed in the closet if they wanted to stay employed.

Levy describes Ms. Windsor as the three dimensional woman she is: a glamorous eighty-four year old, irreverent, and –luckily for lesbian and gay couples– irrepressible in her pursuit of equality. Levy acknowledges the difficulties Windsor presented for the lesbian and gay rights organizations. As much as Ms. Windsor is adorable, her estate tax claim represents the upper echelon issues of LGBT folks. Windsor was an ideal plaintiff due to her femme appeal, intelligence, long-term relationship and status as widow. Her legal team did, however, want to keep her eloquence about the joys of lesbian sex from the justices of the Supreme Court. Beyond the publicity and the incredible risk Ms. Windsor took to pursue this case, it is the depth of Windsor’s loving relationship with Ms. Spyer that reverberates through Levy’s essay.

If love and the courage to break down legal and social barriers is the theme of “The Perfect Wife” then ‘Thanksgiving In Mongolia’ (November 18, 2013) is about the absolute audacity required to get through pain and demolished dreams. The prose here defies gravity, taking the reader from the very heights of the Gobi Desert into the depths of miscarriage and despair. The intimacy of this piece reveals yet another aspect of Levy’s commitment to writing truths often left unspoken. Sometimes there are no words for grief and utter sadness, but Levy discovers and articulates it all.

Levy ventured to Mongolia to write about the impact of mineral riches flowing into a nation of nomadic herders.  She describes the night she spent with two Americans who took her out to a bar, “I liked sitting in a booth in a dark room full of smoking, gay Mongolians, but my body was feeling strange. I ended the night early.” The heartbreaking event at the core of her essay is underway, “I felt an unholy storm move through my body, and after that there is a brief lapse in my recollection; either I blacked out from the pain or I have blotted out the memory.” Her description of the placental abruption that caused the miscarriage is pounding, as intense as the little heartbeat that stopped.  The essay slaps overly sentimental visions of maternity right into the jarring reality of disappointment that many women experience. No cute cards or balloons, no flowers. Grief deserves this attention.

Levy’s craft opens a reader to witness new insight. She explains how her sorrow eased when other mothers (and one man) collapsed in tears hearing her story. Women have always had miscarriages and grief so deep, but this side of motherhood is silenced. Our society won’t have it. Such sadness is held alone. Levy’s grief unifies us all with her story of the lost dream, the lost marriage, and the resilience it takes to carry on. Nature, Levy notes, demands this of us.

On her fifth birthday Janet Flanner told her mother she wanted to be a writer.  Ariel Levy tells of being a little girl in her wooden fort, “…self-reliant, brave, ingeniously surviving, if lost.” Two bold and curious New Yorker writers. One retired as the other is born. Luckily for us, the art and legacy of lesbians writing marvelous essays that search out truths behind the façade of facts and normal endures.

Janet Flanner (b.1892- d.1978). New Yorker foreign correspondent 1925-1975, pen name Genet.

Ariel Levy (b.1974- ). New Yorker staff writer, author Female Chauvinist Pigs: Women and the Rise of Raunch Culture (2005).

My summer reading list

SUMMER 2013 READING

 

“There is no beach reading on this list,” quipped a friend when I asked if she could make heads or tails of my summer reading list. This comes as no surprise: the winter of 1979 I took Gyn/Ecology: The Metaethics of Radical Feminism by Mary Daly on a vacation to Jamaica.

 

I actually did go to the beach this summer while the celebrations of fiftieth anniversaries of Civil Rights events were in full media swing. The stories of the 1963 August 28th,  March on Washington for Jobs and Justice followed by the September 15th’s bombing of the 16th Street Baptist Church in Birmingham, Alabama kept these stories alive, brought people together in the 2013 marches.

 

Michelle Norris wrote in Time Magazine, September 2, 2013, “One thing I have come to realize during this summer retrospective is that the equality King called for involves not physical terrain but the geography of the mind.”  She founded the NPR Race Card Project where you may submit a six-word description of your experience with race, ethnicity, or cultural identity to be posted on the Race Card Wall. One card sent by Rondrea Danielle Mathis reads, “We wanted equality. We got integration.”

 

There is deep disappointment at the seeming lack of progress over the past fifty years. Integration has not meant equality even with the election of a biracial President and the appointment of two women to the Supreme Court.  Instances of injustice continue, and I want to understand why. You’ll notice the copyrights of my summer reading books range from 1949 – 2013. You’ll notice the themes are identity, home, searching heart and soul to understand what divides people and what sustains them.

 

Learning is key to interrupting hate. Marion Dane Bauer cites a friend in the introduction to the anthology Am I Blue? Coming out from the Silence (1994) that I often ponder when my faith in learning wavers, “I have never met a bigot who was a reader as a child.” I needed to believe in that antidote to bigotry, especially this summer, reminded as we were of 1963 as the 2013 headlines read:  July 13th in the New York Times:  “Zimmerman is acquitted in Trayvon Martin Killing.”  On August 27th again in the New York Times: “ 21 year-old intern for Harlem design house Ay’ Medici, Islan Nettles, beaten to death in an apparent hate crime toward transsexuals.”

“Why can’t people just love one another?” my students from ages 17-62 plead. I’m always searching for the answer. My summer books range from textbooks to memoir. The authors are journalists, academics, theater and literary types. You may wonder why Alexander Fuller is here. Her parents’ story of expatriation offers another view on race and class dynamics. James Baldwin joined the American expatriates in Paris in a search of freedom from hostilities in the U.S. Lillian Smith and John Howard Griffin were exiled from their local communities—philosophically and in Griffin’s case, physically. They seemed a random collection as I read them, but when I think about all of these books together, now that summer is giving way to autumn, a real sense of continuity appeared as the themes filtered together.

 

History is only current events in hindsight. What happened fifty years ago is still happening today. Each movement for social justice teaches the next one, but the need to insist and struggle for equal rights is constant. In this is my sense of the continuity between the books I read this summer. A movement is a gathering of individual people designing and building change at all levels of our society. We see though the historic record how the Labor Rights Movement taught the Civil Rights Movement and the Movement to end the war in Vietnam taught the Gay and Women’s Rights movements. We need to keep moving. Our next focus, as I see it, is the quest to dismantle rape culture. The headlines put us on notice. Rape culture cuts across all lines of rich and poor, young and old, heterosexual and homosexual, male, female and transgender. We’ve got to end the glorification of guns and sexual violence.

 

So here is what I’ve been reading in preparation to teach and to live in these times, which are teeming with teaching moments. In my summer reading list I found a counterbalance to despair: hope and understanding.

 

 

Baird, Vanessa. (2007). The No-Nonsense Guide to Sexual Diversity. Oxford, UK: New Internationalist Publications, Ltd.

Vanessa Baird has compiled a concise international LGBT history and explanations of non-heterosexual expression and oppression. There have been many changes in legislation since publication yet ferocious acts of gendered and sexualized violence occur regularly around the globe.  Different gender expression and sexual desire ought not provoke forensic overkill.

Baird cites Paul Cameron, Founder of the Family Institute in the United States as saying, “‘If all you want is the most satisfying orgasm you can get,’ then homosexuality becomes ‘too powerful to resist.’ Marital sex, he says, ‘tends toward the boring end’” (p. 86). This offers a very different point of view as to the core of homophobia.  The emotional and economic lives of men and women shift when dependencies are altered by same sex love. This shakes up a society built on hetero-normative expectations. This is such a danger zone for traditionalists and consequently for those who do not conform.

 

James Baldwin. (1956). Giovanni’s Room. New York: Delta Books.

James Baldwin grew up in Harlem as the Harlem Renaissance was waning and the Civil Rights Era waxing. Baldwin fled the racial and homosexual discrimination of the United States and took up residence abroad. He returned to the US to advocate for civil justice believing this was “the latest slave rebellion.” His second novel, Giovanni’s Room, describes the gnawing pains of protagonist David, as he struggles with internalized and external homophobia. He attempts bisexuality as he negotiates his love of men under the guise of heterosexuality. Paris expatriates from many countries populate the novel as David searches for his identity and in the end, betrays his heart and his lover, Giovanni.

 

 

Ruth Behar. (2013). Traveling Heavy: a memoir in between journeys. Durham: Duke University Press.

Ruth Behar is a Yiddish-Sephardic-Cuban-American anthropologist, an immigrant, a professor, and compassionate observer. She writes of her search for identity as she constantly returns to the island she had to leave as a child. Her freedom to travel is in sharp contrast to the stasis of those on the island who can’t so easily leave. Behar’s American students bask under her guidance in their Cuban semesters, finding their own meaning while their teacher continues to search for pieces of her life puzzle.  Behar visits friends around the world who have left Cuba, those thrust into exiles’ limbo, searching for work in country after country, searching for home while Behar boards another plane. She is always traveling.

“Memory, however, is volatile, slippery; we tie it down, as the classical orators did, by linking it to places, sites” (81), she wrote in The Vulnerable Observer: Anthropology That Breaks Your Heart (1996). She is still trying to tie things down.

 

 

Delgado, Richard and Jean Stefancic. (2012). Critical Race Theory: An Introduction. Second      Edition. New York: New York University Press.

 

Richard Delgado and Jean Stefancic defy the usual obtuse nature of theoretical writing and offer the hugely systematic and day-to-day pragmatism of Critical Race Theory.  This introduction puts into perspective the legal, economic, feminist, and philosophical nature of power and the construction of social roles we all are subjected to in contemporary American life. Everyone has overlapping identities; sometimes conflicting identities. We each are a wild kaleidoscope of biological and social aspects. The particles of our being are those we are born with, born into, and those we are influenced by as children– and those we can change (or know we are pressured by) as our awareness develops.

As we align the fragments and colors in the kaleidoscope we come to see how our nation racializes different groups in different ways at different times. (Consider the exotic Aladdin and the magical genie as they become evil Middle Eastern terrorists after 9/11/2001.) How do we learn to listen to all voices, search for all sides of the story?  Where do we get the news and from whose point of view is it written? If your son or daughter is in the courtroom—how will the verdict be decided? Challenging our privileges, preconceptions and world-view can only create a more fair and just future for us all. Understanding how our legal, social, political and personal systems are racialized allows us to make choices to initiate and advocate for change.

 

Fisher, Emily S. & Komosa-Hawkins, Karen. (Eds). (2013). Creating Safe and Supportive Learning Environments: A Guide for Working with Lesbian, Gay, Bisexual, Transgender, and Questioning Youth and Families. New York: Routledge.

 

The editors have assembled a truly accessible collection of essays that are mercifully concise and deeply compelling.  We are well informed about the queer historic landscape and adolescent development issues for LGBTIQ youth. The L and the G kids have a more developed support system than the T and I youth, who are still on the fringe of most people’s understanding. The Q, it turns out, are extremely vulnerable because they haven’t landed in a group where support and acceptance reside. What to do with the transgender Kindergartener?  Teachers get ready!  Consider lining them up for recess by the color of their socks rather than the traditional gender binary.

Pushing the gender envelope causes great distress. Hippies in the Sixties were harassed for their long hair but they were not necessarily transgressing gender lines. The fluidity of gender for youth today defies all prior prescriptions for “boy” or “girl.” It is a very exciting era and it can also be murderous. There is so much creativity and joy in the possibilities. Part Two offers Applications in Schools and Communities. Parents and teachers need support for understanding their LGBTQI kids in order to provide safe learning and growing environments. This is thrilling work for us all.

Fuller, Alexandra. (2011). Cocktail Hour Under the Tree of Forgetfulness. New York: Penguin Press.

Alexandra Fuller takes us back to the landscapes of her earlier memoirs, “Those Awful Books,” exclaims her mother, “Nicola Fuller of Central Africa.”  This book is actually about her. How does a daughter understand her mother? The memoir delves boldly into this usual abyss. Many of us spend our adult years wondering, just who was that woman behind the mask of motherhood?  Alexandra Fuller describes the amazing losses (beloved horses, infants, farms, dreams) and the dazzling life force (off to a children’s party driving the Land Rover with an Uzi in her lap) of Nicola Fuller. The personal losses, grief, and wars in Africa drove Nicola into despair so deep no pills nor psychiatry could reach her. Her husband’s unfailing devotion, the pounding happy tails of her hounds, and the new farm brought her back. “She gave herself amnesty and her soul had a home again” is how Alexandra puts it. Under the Tree of Forgetfulness Nicola regained her courage.  The Fullers are white people in Africa, not the party people or abusively greedy, but the workers, devoted to the land they work: their spirits irrepressible.

 

 

Griffin, John Howard. (1960). Black Like Me. Boston: Houghton Mifflin.

I have again reread John Howard Griffin as he darkened his white skin and walked into New Orleans and Mississippi of 1959. Black Like Me chronicles the journalist’s physical and emotional transformation as he encounters the double standards of humanity. As a white man he could enter any restaurant, find a bathroom or a cup of coffee. As a man of color he had to find the places that would serve him, where he would be safe to sleep or get a glass of water. Griffin’s book records the insults, the assumptions, the disregard and disingenuous nature of white people towards people of color.  The sexualization of people of color, the demeaning assumptions of moral and ethical behavior in contrast to the extreme eroticism and immorality by white people toward people of color leaves the reader spinning. Griffin records the insults, injustice and inhumanity to the point where he finds the internalization of racism enters him so he even fears writing a letter to his white wife as a ‘black’ man.

True, the white guy gets to take the color off and go home after a few months but Griffin’s emotional and psychological being has been transformed. After publication he and his family were so harassed they left Texas and years later while on the lecture circuit, he was beaten and left for dead by the Klu Klux Klan. He lectured until his death from complications of diabetes at age 60. “If we could only put ourselves in the shoes of others to see how we would react, then we might become aware of the injustices of discrimination and the tragic inhumanity of every kind of prejudice.”

All these decades later, Griffin’s descriptions of the South, his interactions between peoples, his realization that with darkened skin he was not viewed by white people as a human parent or an intelligent man still resonate. He was automatically inhuman, unintelligent, and unfeeling.  He went to Mississippi in 1959 right after Mack Parker was lynched by a mob in Mississippi despite FBI evidence of his innocence. Trayvon Martin was killed in a neighborhood in Florida in 2012 with Stand Your Ground impunity. We must dare to ask, how far have we come, and who are we, white people?

 

 

 

 

Said, Najla . (2013). Looking for Palestine: growing up confused in an arab-american family. New York: Riverhead Books.

Edward Said’s writing launched careers for many academics in Post-Colonialism and Orientalism. His memoir, Out of Place: A Memoir (1999), offers insight into the grounds on which his theories grew. His daughter was raised in this heady environment. The paradox is that he raised a daughter beset with her own mystery and sense of misplacement. In this memoir Najla Said takes the reader through the landscape of her mother’s Lebanon, her father’s Palestine, New York private schools, the Episcopal Church and anorexia of her own geography. Ms. Said describes churning with the inner turmoil of her eating disorder while walking through the mud in a refugee camp in her expensive shoes and wardrobe. She couldn’t bridge all her worlds until she found theater to eventually allow her full expression. Her father’s stage was the world, Palestinian Statehood and justice. Her world, Off Broadway is where identity can be explored and the Arab and American becomes one.

 

 

Smith, Lillian. (1949/1994). Killers of the Dream. New York: W.W. Norton & Co.

This book sabotaged Lillian Smith’s writing career. She had a smashing success with her 1944 novel Strange Fruit but no critic would comment on Killers of the Dream five years later. It was too autobiographical, too critical of racism and segregation.  She was a decade ahead of John Howard Griffin and they both beseech white readers to wake up to racism and how it diminishes white people. Smith describes the wonder with which children approach differences and the difficulties of race at her summer camp.  She defines three ghost relationships of the white man and the African American woman (Negro and Colored are her terms, the usage of the times); the white father and the biracial children, the white children and their beloved African American nurse. Then there is a fourth, the white children with their biological mother and their African American caregiver. White women became sacred, aloof on pedestals while the black women were endless caregivers. Her analysis was written in 1949, to be taken further by people of color and feminists in the following decades. She was delving into the intricacies of black and white relationships in bold stokes. Griffin would encounter haunting questions about his sexuality and penis size as he hitchhiked through Mississippi.  In all these relationships between whites and African Americans there was silence, perpetuating assumptions, brutality, inequality, and broken hearts and minds. Eric Deggans cites Dr. Bernard Lafayette, Jr. in Race Baiter: How Media Wields Dangerous Words to Divide a Nation (2012), “The whole purpose of segregation was so black and white folks wouldn’t talk to each other and find out they had more in common, okay?”

Smith had a lifelong-closeted relationship with Paula Snelling. She died of breast cancer at age 68.

 

 

 

Teich, Nicholas M. (2012). Transgender 101: A Simple Guide to a Complex Issue.  New York: Columbia University Press.

Teich says it all in the title. He is so clear and, ironically, straight-forward. What is gender? What is sexual orientation? What is transgender?  There is an international and historic lineage to transgenderism and Teich (and Baird, Fisher & Komosa-Hawkins) offer stories and insight. I think Transgender is exciting for heteronormative and homosexual readers because it offers many deeper questions and requires more insight into gendered experiences. There is tremendous opportunity for the disruption of the very segregated gender options in our expression, toys, clothing, story-lines in film and books.

Even BatGirl has a transgender roommate now. We could Marvel….(but BatGirl is DC Comic after all).

 

 

 

 

 

 

In The Body of the World: A Memoir by Eve Ensler (2013).

“I suddenly understood joy. It’s big, bigger than any one of us. It’s uncontrollable and it’s fierce. It’s more generous than anger and has the ability to make revolution because its tentacles and fire are infinite and it feels good.”

March 6, 2013 letter by Eve Ensler from the Congo

 

Circuitously, this memoir is about joy. But how can devastation of the women and land of the Congo and cancer equate with joy? It would be Ensler, the mother of The Vagina Monologues, who clarifies this. According to the-first-of-its-kind report on the pandemic of violence against women around the world, the World Health Organization states that one in three women on the planet will be raped or beaten in her lifetime (“WHO Finds Violence Against Women Is ‘Shockingly’ Common” by Michaeleen Doucleff and Rhitu Chatterjee, on NPR or CNN’s Madison Park, June 20, 2013). This is a pandemic with no foreseeable vaccine, funding for medical research, or political protest. But it has Eve Ensler. She has been at the forefront for decades — educating, raising funds for facilities, jeeps, and supplies and listening to women around the world in trim suburbia, war shattered towns, or rainforest villages tell their stories. She has persisted through the prevailing global silence and dismissal of the extreme damage being done to women.

Ensler meets the women of this pandemic face to face, listens, supports them as they write and then perform their stories. This memoir is her own telling, revelations after years of working around the globe with others’ stories, of her cancer diagnosis, childhood with an abusive and incestuous father, her badass teen years drinking and having a lot of sex, her sobriety, travels to worn torn nations and her perennial sense of not being good enough or smart enough. The not-good-enough legacy of her upbringing prevailed despite her fame, and voice she gave to millions of women. Even though she had heard stories for decades of battering, incest, rape, war, men’s rage, revenge and greed, Ensler was not prepared for the extra extreme devastation of women in the Democratic Republic of the Congo. Or her own cancer.

Indeed, the stories are entwined. Every tear shed, every tale Ensler heard through her travels seems to have entered her body until the horrors tangled up inside her. The tumor wrapped around her organs much like a vine climbs a tree as it reaches for the light. Ensler found motivation for healing from the Congo, especially the intense determination of the women there to overcome the harm and sadistic atrocities done to their bodies. They became Ensler’s sun, something to reach for through the months of her illness, recovery, illness, and healing.

Ensler’s writing style evokes full-blown images of the women whose bodies are torn by the true weapons of mass destruction—men gone more than mad, beyond insane, with greed and war. She carefully describes the extraordinary brutality the women experience—she never over or under states the terror. The Congolese women’s fistulas leak bodily fluids, and Ensler likens these to the holes in the ozone.  Yet the women dance as soon as their bodies are able. She knows her own body is fighting to survive, and she takes heart from all the women of the Congo and the world.

Still, Ensler won’t spare us. Femicide, Ensler explains, is a weapon used extensively in the Congo. It is the systematic destruction of women’s bodies, hearts and souls. The destroyers too have lost their hearts and souls in the acts of raping and murdering grandmothers, mothers, aunts, sisters, nieces and daughters. She writes of the torn vaginas, rectums, fistulas, slash scars, and broken spirits of raped women. The girls and women of the Congo are tortured, raped and destroyed for corporate and military purposes just as the landscape is gouged and decimated for minerals. After her surgery Eve developed a severe infection at the same time news of the BP oil spill broke. The synchronicity would seem trite if it were not so sobering; Ensler makes clear throughout the book that the links between our bodies and the environment are irrevocably intertwined. The leap from the destruction of natural habitat to the devastation of bodies by violence, war and disease isn’t so great in Ensler’s worldview.

Changing the world—and this is what Ensler’s life is about—requires tremendous organization and education. Ensler worked for several years to coordinate leadership in the Congo with leaders in world organizations to make the City of Joy a reality in Bukavu. It is a campus where the women can be physically and emotionally repaired, revived, and trained to survive and thrive and become leaders. She also teaches the reader a lot about the Congo and the people of this nation.

The pandemic of violence against women is a pandemic against us all. The devastation of natural landscapes is equal to the devastation of the incredible resources of the women of many cultures. It is an enormous lesson, a huge leap of faith to be joyful. It is a huge effort in a land that is so besieged by violence to find a way to stop the violence. Ensler and the women of the Congo welcome us to join them in dance. Ensler’s irrepressible spirit and her inner transformation make this little memoir—so packed with scenes of pain and love—irresistible.

My admiration for Eve Ensler is profound. I quip that some people want to run away with the circus, I’d like to run away with Ensler. The fantasy and whim of the idea vanishes once the grueling schedule and relentless work of the circus comes to mind. The magic from the audience’s point of view is exactly that—magic. Sweat, tears, dust, and sheer force and love of the work is what it is all about. Ensler makes the work of changing the world look magical. But we know the price is high — but it is even higher if we don’t keep going. One woman at a time…..let them rise and let them know joy. We each must continue to do what we do to change the world.

Thanks Eve Ensler. I gotta go. I have to get ready to teach a class. One student at a time. Most joyfully!

Lean In?

Lean In: Women, Work, and the Will to Lead by Sheryl Sandberg (2013)

 

The Slow Living Summit is an annual June event in Brattleboro, Vermont.  Its purpose is to encourage preservation of local farms and sustain rural landscapes. The parade through town includes little pink fairies, political activists, and Strolling with the Heifers. Youngsters walk along with their small calves donning flower leis; babies and big people join them in cow suits. This event offers a tremendous contrast and necessary addendum to Sheryl Sandberg’s Lean In: Women, Work, and the Will to Lead.

 

Sandberg is the fast-paced, smart, insistent and very successful COO at Facebook. She explores issues for women in leadership in the 21st century.   She cites YouTube videos, book titles and activists I admire, including the video of Riley bewildered by the color codes in the toy store. This clip is priceless. It says a lot about gendered marketing and proves how early the gender boxes begin. (http://jezebel.com/5871009/video-of-little-girl-getting-pissed-off-at-gender+specific-toy-colors-will-make-your-heart-swell). Marketers take heed. Young Riley is only four and she sees what is going on

 

Sandberg offers personal anecdotes as well as research and statistics about women in the workforce – but her passion really is with the high stakes, tippy-top leadership. She is aware of the whole spectrum of women working and consistently reminds the reader that most women dwell in environments that don’t offer flex time for parents, parking near the door for pregnant employees, or leave for elder care. A lot of women tone down their career goals or decide to stop working because their salary hardly covers day care for kids or elders, let alone any other expenses. Sandberg is sure that women could get these rights (I wonder if men would call them benefits?) if they had the power and designed equitable working conditions. She actually got the pregnant parking place by simply, while very pregnant, asking. Sandberg is quite concerned that women don’t even attempt to take on the top jobs. They capitulate before they begin. Returning home or working part time in order to provide care to family may be fulfilling and benefit society, but it sure puts a crimp in the women workers available to businesses, their earning power, and career advancement. A reminder: only 7% of American households are of the Father Knows Best design of the man going off to work to support the stay-at-home wife and kids. Sandberg wants us to struggle with all the complex and constantly shifting issues during our extended life span.

 

I appreciate this, as I’m all for struggling with the complexity of our lives and desires and innovatively figure out the dilemmas. But never once does Sandberg even almost mention that this creative realignment of the corporate world will require some major toppling of the patriarchal systems that have profited for thousands of years from the free and extensive labor of mothers, wives, aunts and grandmothers.  The excitement and adventure of Sandberg’s career is the surface story. The undercurrent of this narrative is capitalism at its most dynamic: to succeed one must work day and night so figure out daycare, have a husband who shares in the child and house care 50/50 as well as supports your career 1000%. (She says that of course same sex couples have this equitable household management thing figured out already. -Oh how we wish this were so!) Sandberg offers details from her own life about how tricky it is to pump breast milk while on a conference call; and how subversive it feels to take a trip to the bathroom to send an email during a play date.

 

I am exhausted by her schedule and furious at a society that deems this “success” when such a small percentage of the population make salaries of so many digits, let alone a planet that can survive such consumption and exploitation. Balancing family and career has always been a juggling act, but Sandberg is saying that now it has to be both parents juggling—not just the woman. According to Sheelah Kolhatkar in the June 3-9, 2013 Bloomberg Businessweek magazine, this is exactly what men have struggled with all along while being expected to financially support everything. Men want time to be Dads too, Kolhatkar insists, but they just have been too darn busy. Debates reign regarding the Peter Pan syndrome and lad culture with men acting like boys, while certainly the mothers suing fathers for back child support might wonder about Kolhatkar’s claims.  I’m glad to hear that men want in on fatherhood and the time it takes to really participate. I’ve been advocating men’s liberation for as long as I’ve been a feminist.

 

I also find myself wondering, why lean in when the work environments are so relentless? Not just the hours but the work climate and culture. For instance, according to Peggy Drexler in her March 2013 article “The Tyranny of the Queen Bee” in the Wall Street Journal, 80% of bullying by female bosses is directed at other women. Is this internalized sexism the consequence of so few women being in top leadership? Drexler adds that men use fear to advance and women will too until the day women are routinely in the top leadership as men. Sandberg acknowledges the Queen Bee syndrome and calls on women to recognize this warp in the wonder of women leaders.

 

But I think this is too limited a perspective and too demoralizing a definition of leadership. A real plentitude and integration of women, people of color, gay, lesbian, trans, people with disabilities, ethnicity, religious backgrounds, and body sizes will change the dynamics of leadership, change everything. Everyone will have to engage with new paradigms about work, civility, and have an ability to work across all perceived differences. To make such changes we need to topple patriarchy’s favorite misnomer that only the strongest survive. Cooperation beats competitive in the healthiest communities around our globe, above or below sea level.

 

I also find it quite interesting that all visible differences are invisible in the realms of the social medias in which Sandberg has been a leader (Google and Facebook). Ironically? But in the boardrooms, the meetings in face-to- face times—visual markers all still matter a great deal. Being a woman matters.

 

Sandberg writes from the perpetually precarious perch out there on the gender limb. She is reviving many of the Second Wave feminist requests of the seventies but as a Third Wave feminist, she has so much going for her. She has access to a much larger tree of life, with many branches. Sandberg could be more convincing if she realized how inclusive and complex gender really is and how traditional and confining her framework remains. As an example, Sandberg writes that “First, women must come across as being nice, concerned about others, and “appropriately” female”(p.46). The quotation marks around appropriately are nerve wracking. Does this mean that tall women, petite women, traditionally built women (to use Alexander McCall Smith’s definition of his main character in The No. 1 Ladies’ Detective Agency series), lesbians with short hair, and women with a preference for clothes generally marketed to men need not apply? My mind, despite myself, goes directly to two options for women in business: Betty Crocker or Aunt Jemima—both purely fictional and updated over the years to reflect more “modern” or “appropriate” standards.

 

She admits that she was terribly disappointed when the Speaker of the House, the revered Tip O’Neill, patted her on the head rather than complimenting her hard work as a youthful page in Washington, D.C. She argues that Bill Gates, Mark Zuckerberg, and men like her husband, Dave Goldberg, are proving that men in business are now striving as much for women as themselves. This is really exciting and hopeful, as the potential for balance, equality, and cooperation truly exist —for women and men—with the sensibility of such leaders.

 

So the really scary thing is that queen bee syndrome that Drexler’s Wall Street Journal article points out. It’s also highlighted in the 2004 film, Mean Girls  (check out the website of 40 Mean Girl quotes). It’s scary that high school behavior is so evident and unattractive in adult women in high places. That’s internalized sexism, and it exists with vengeance, especially when draped in power.

 

Sandberg cites studies that show women who are strong, clear, articulate, good at business, achieve and lead, are put down as “acting like a man” while just conducting good business.  Women can’t win: to act like a man is be a b*&^h. No in-between options (remember 2008 Mrs. Clinton vs. Mrs. Palin). People don’t like this; many folks don’t know what to do with a strong, insightful, creative woman, especially if she doesn’t look like a Barbie doll or act like a sex toy (neither to be taken seriously either).  So let’s go back to our young radical Riley in the YouTube video, who asks with great exasperation, “Why does all the girls have to buy pink stuff and all the boys have to buy different colored stuff?”

 

Young Riley clearly rubbed off on Sandberg, who dared to give the Ted Talk “Why We Have Too Few Women Leaders.” Despite countless speeches on business and marketing, this one provoked concerned tweets and phone calls. Sandberg is reaching out to women. Go ahead: dare to disrupt the status quo, dare to sit right up at the corporate table, really split house and child care with your partner, dare to incite change in your organization so everyone, including the bottom line, benefits. Dare say, profits.

 

Sandberg truly wants women to have an equal opportunity to take the leadership positions and have a family life. Everything will work out—busy but happy, kids, career trajectory, school soccer games and dinner at home some nights. But again, she doesn’t take her analysis far enough into the complexity of our times. We know that whites hold the big jobs in disproportionate numbers (also listen: “Job Searching While Black: What’s Behind The Unemployment Gap?” NPR, May 25, 2013). Sandberg cites the statistics: of the Fortune 500 CEOs only 21 are women, women hold 17 percent of the board seats and comprise18 percent of our elected officials. She points out that women of color are more than 10 percent below those numbers Still, people think the workplace is a meritocracy, even though men are unaware of the benefits they receive just by being men, and women believe men are entitled to be there, and the hiring process is racialized and gendered.

 

In this context, is leaning in even possible? Is Sandberg writing about capitalism at the most extreme with a splash of estrogen?  Or is this something we ought to question, like Ariel Levy’s wondering about Girls Gone Wild in Female Chauvinist Pigs: Women and the Rise of Raunch Culture (2005)–is all that sex, drugs, and booze really liberation? Is Superwoman success creating new workplaces and transforming leadership? Can we balance everything so magnificently if we just sit at the table, keep our hands raised for questions, and persevere?

 

Miss Representation (2011), a documentary written, directed, and produced by Jennifer Siebel Newsom, is a perfect companion to Lean In. Many of the same celebrities and icons of the contemporary women’s movement are captured on film. The film show how especially intense advertisements are that diminish women, illustrate their bodies as beer bottles and airbrush their limbs into twigs. Such footage offers insight into how we are besieged with mixed messages about our bodies as we evolve from girl into woman. And as importantly, how boys are taught to see women as they become men.

 

We’ve come to expect Sandberg’s level of commitment and endless performance from entertainers, government officials, public school teachers, staff, administration, and corporate executives, as well as ourselves. It seems inhumane to be so 24/7. Are there ways to get the work done and still smell the coffee and the roses? Use our skills? Love our living? Do I want my daughter to lean in, take the risks, and go for the top? And my son?

 

If Sandberg and the next generation of leaders actually blend cyber speed and strolling with the heifers–it may just work out.

 

 

 

 

Provincetown, My Love

 

 

Provincetown, My Love

with thanks to Mary Heaton Vorse

 

If a place could be a lover, Provincetown is mine. This slip at land’s end stole my heart when I first visited at age ten. My father bought me peace sign earrings as we wandered along Commercial Street on a day trip in the early era of hippies. I found my way back as a teenager searching for an identity I didn’t know I was missing but knew the earrings didn’t solve. I was for peace and love but even in my hippie garb people called me “Sir.” I came to land’s end to figure out something existential and sexual, as well as to dance.

I go to Provincetown still, to find that philosophical elixir, my source of inspiration and hope, now spiritual and sensual. This essence, this invisible soul- satisfying thing, is in the tidal perpetuity of waves crashing and lapping. It is nature at it’s most ferocious and sublime; the idea of the lion and the lamb entwined. This is what comes over me every time I cross the Sagamore Bridge and make my way, while the compass spins, from Lower Cape to Outer.

The compass has to navigate the curve of the land as the car rolls from Buzzards Bay along Route 6. The geological map of Cape Cod defines the shoulder at Sandwich, Chatham is the elbow, and Provincetown the curled fingertips. Massachusetts claims it, but it is a place unlike any other.

When I first moved to town as a high school graduate, five years after the Stonewall Uprising, I was unemployed and uninterested in college. The Portuguese year-rounders owned many shops, fishing vessels and homes along the harbor. There were several gay bars for men and two for women. The place was still pretty heterosexual. I was very interested in drinking, dancing and finding out who the lovely gorgeous men were and who the heck I might be, liking girls it seemed, but not caring a hoot for consciousness-raising groups. I failed at finding fascination in my vulva’s mirrored reflection, or talking for hours about defying the patriarchy. I preferred being raised by drag queens as a budding baby dyke that first winter. They fetched me to take a walk, go for coffee, go out dancing, or just smoke cigarettes in a sunny spot out of the wind. They guided my sartorial opinions while shopping at the thrift store for a cool pair of blue suede shoes, though none of us were into Elvis. Mayo gave me his red satin PAL jacket in a fit of closet cleaning.  But more, they taught me to believe in the quest for trueloveandhappiness, said in one breath, even if they didn’t always live long enough to find it. I’ve been lucky.

I remember when it wasn’t safe to be too loud or too proud; we couldn’t even imagine rights such as marriage or anything equal. We were just hoping to survive, hardly thinking to thrive. There were gay bashings and fights around town. Today there are annual events sponsored for leather, bear, S&M, motorcycle, drag contingents of men loving men.  Women have a whole week dedicated to their desires while the transvestites and their wives and the AA folks have a weekend too. The Portuguese have a festival, as the demographics have shifted like the dunes, and they have moved inshore.

Such changes are what Mary Heaton Vorse explained in Time in the Town: A Provincetown Chronicle. I’ve read Vorse several times, always searching to better understand this place that I love.  With her journalist’s eye she described the impact of national and global economic waves as they undulated and crashed on Provincetown’s shores along with the aquatic tides. She detailed the various sailing vessels that carried fishermen of many generations. The whalers chased the whales before the schooners sped along, the gasoline engines brought faster change while the trawling vessels destroyed the bottom of the sea. She warned of over fishing and the precarious future of the whales.

Vorse had no way to predict that the fishermen and tourism of her era would be followed by thousands of condominiums in the sand hills and a vibrant gay clientele. Changes in the culture came from a variety of sources: the price of fish, the rise and fall of styles of ships. Prohibition, Vorse claimed, was most significant. With Prohibition came a desperate obsession and more attention to drinking than ever before. It was quite a holiday when cases of whiskey were bobbing in the harbor after rumrunners tossed them in the sea to evade the coast guard. Cars clogging the street were also something about which she complained in 1942.

Provincetown has been a harbor for fishing folk as far back as the Vikings so the history is long and lonely. It was the first landing for the Pilgrims who departed after five weeks to search for fresh water and more fertile ground, settling across the sound in Plymouth. And the Cape is but a barrier island; prone to battering winds and waves, whole chunks disappear in storms. The ocean side shorelines were considered the “graveyards of the Atlantic” due to the intense currents and ever-shifting sandbars. Henry David Thoreau began Cape Cod, his tale of walking from Eastham to Provincetown, with a shipwreck. He described the wind, the waves and the immigrants coming to America and their daring and their dreams as they are dashed on the very first pages of his travelogue of 1865.  It is estimated that three thousand ships were wrecked between 1626 and 1898. The mooncussers, scavengers by any other name, harvested the goods that floated ashore. One spring it was cherry pie filling and chewing gum.

­­­­  Vorse introduced Captain Marion Perry, a local fisherman who won the Sir Thomas Lipton Fisherman’s Cup in 1907 sailing the full size schooner Rose Dorothea. Mary Heaton Vorse comments that he’d been racing to get fish to market for years and he was making extra good time during the race because he was so angry that the mast broke. He won in a fury but he was too shy when the cup came home to fuss with the parade and he was too busy working on his boat to meet President Theodore Roosevelt who came to town to meet the Captain and set a cornerstone for the construction of Pilgrim’s Monument, the tallest all-granite structure in the United States. Today, under a half scale replica of the Rose Dorothea in the Provincetown Library, there are books set out about Big Bird, Madeline, and Malcolm X.

Among the various details of Cape living Vorse included a prescription for removing skunks. A neighbor advised that the only remedy was to write a letter to the skunk.  Vorse’s son, Heaton, rigged a light under the house so the skunk could read her polite yet firm request and the skunk soon departed.

She related stories of strange things appearing in the dunes with no telltale tracks to determine the origin (a cast iron cooking stove) or a storm so brutal all the chimneys in town toppled. Life saving stations and lighthouses dotted the coast and the stories of storms and wrecks are often followed by reports of the fantastic daring and bravery of the rescues. One such story that Vorse cited is of a Coast Guard captain who had a vision of a young woman and days later the woman tossed her infant to him during a rescue. The mother was lost in the surge and he adopted the baby girl.

The Cape Cod Canal opened for traffic in 1914 and the rescue stations fell into disrepair.  In these early years of the twentieth century, Provincetown became a source of creativity for painters and writers of poetry, prose and theater when they couldn’t get to Europe due to the hazards of ocean travel prior to World War I. Vorse was part of this early art scene. She went abroad to cover wars and labor disputes and returned to raise children as a widowed single parent. Her chronicle captures iconic figures and explains the history of the town so we feel the sand whipping our face in a storm; understand the endurance and taciturnity of the people as they weathered gales and losses of fishing fleets and family. Eugene O’Neill took over one of the abandoned rescue stations while peers wrote and painted in dune shacks dotting the desert landscape of the province lands. Those were the days prior to World War II.

Chaim Gross’s bronze sculpture, The Tourists, are sentinel figures on the path to my library perch where I found myself reading Vorse’s Chronicle. I could feel Henry David Thoreau and Henry Beston standing behind her as she wrote: Thoreau’s Cape Cod and that horrific shipwreck; Beston walking with the coast guard fellows along the dune’s edge at night in The Outermost House. His cottage was moved at Nauset Marsh a few times but the Blizzard of 1978 demolished it. The sand, the solitude, the roaring of a tumultuous ocean require inhabitants to be men and women of wit and temerity. Such folks are described by all three authors and they could be talking about year-rounders of today as the weather is freezing and a dune at Ballston Beach has just been breached. The dunes have collapsed along the Wellfleet coastline too. Waves were still pounding and roaring with ferocity days later here in 2013.

Photographers and painters render the landscapes of the town’s gardens, vast array of people, houses, and ocean, while other artists design with reeds in the moors and sculpt with flotsam from the sea. Provincetown is the perfect place to get lost: in the light, the booze, the history, the dunes, great coffee and food, the sobriety of the present, the beach, the whale watches, and the infinite possibilities of creativity. There is everything here, much more than a tourist will ever see in a day. The dunes and town are filled with ghosts of shipwrecks, captains, pirates, rumrunners and pilgrims. The shifting sands of the dunes are mountains in motion. Here too are phosphorescent waves, Fourth of July fireworks, the sun and moon light, fog, and the grey of a Cape Cod day.

Vorse’s book ends on the eve of American’s entry into World War II. The Hurricane of 1938 on the Cape coincided with Britain’s Chamberlain meeting with Hitler, which struck her as ominous coincidence.  Her last line, “The one certainty is that Provincetown is in history’s path as it has always been.”

As I write this, the whales are returning with calves born in the Caribbean, the stores will be swept and coats of pain applied to buildings and boats.  Another summer is coming. Vorse would be astounded that many of today’s problems (parking, drinking, sewer, sheer numbers of tourists, and labor issues) are so similar to her era but the good food, artists, dunes, waterfront, harbor, whales and seals would please her.

A good long-time lover allows for indiscretions, infatuations, lapses in attention, and despite all, inspires renewed passion and delight. There is a resiliency and a resolve in such adoration. So many others have expressed their love of Provincetown. Two who include Vorse in their telling are Susan Baker and Annie Dillard.

Baker’s illustrations in The History of Provincetown portray painters, poets and places Vorse described, as well as more recent residents and visitors. A poignant portrait of “The death of a thousand friends in the AIDS epidemic” is completely contemporary.

Annie Dillard’s The Maytrees, is a fictional love story of the landscape of the dunes, two people, and Provincetown. Vorse is mentioned fondly as a friend of the protagonists. Dillard writes of Deary, a character who “claimed to like the way starlight smelled on sand.”

Dillard, Baker, Thoreau, Beston, and Vorse seem like wise relatives telling tales of the place. They stand beside me as I sit on a chunk of driftwood and look out on the horizon where sea and sky meet.  I hold a little beach stone from Herring Cove between my fingers and later put it on a friend’s gravestone near a cedar in the cemetery. I imagine the rumrunners and whaling ships in the harbor while keeping time in the twenty-first century. Maybe this is a “thin place,” as I’ve heard exists in the Himalayas, where spirit world and real time blend.

I’ve found so much here besides lobster claw salt-and-pepper shakers or a pirate hat and sword. Those things are gleeful but there is nothing to purchase that tells of the peace, love and acceptance of strolling through town hand in hand with my partner or whistling at the drag queens advertising their shows. I get to be my whole self here, in full identity as photographer, lover, writer, cook, dishwasher, housepainter, scholar, mother, friend and sister. That is a lot to be on one little spit of land.

In such early spring as March, the drag queens are not out in full splendor, tourists are few, and the festivities subdued. Once the weather changes and the flamboyance of personalities set free (by acceptance, booze or both) this quiet will shift, like the waves’ roar after a storm, to the constant beat of the summer bass, louder and louder until the Labor Day bell returns many to school.  And so the tempo of town matches the rhythm of the tides. My love abides, awaits the quiet time again when the beaches are empty and the shore is mine for lone footprints in the sand, collecting pebbles as a seal blinks nearby.

 

 

A Few Favorite Books of Provincetown

*Baker, Susan. (1999). The History of Provincetown. Burlington, VT: Verve Editions, Ltd.

*Beston, Henry. (1928). The Outermost House: A Year of Life on the Great Beach of Cape Cod. New York: Henry Holt & Co.

*Cunningham, Michael. (2002). Land’s End: A Walk Through Provincetown. New York: Crown Publishers.

*Dillard. Annie. (2007). The Maytrees. New York: HarperCollins.

*Doty, Mark. (1996). Heaven’s Coast: A Memoir. New York: HarperCollins.

*Huntington, Cynthia. (1999). The Salt House: A Summer on the Dunes of Cape Cod. Hanover, NH: University Press of New England.

*Kunitz, Stanley,with Genine Lentine. (2005). The Wild Braid: A Poet Reflects on a Century in the Garden.  New York: W.W. Norton & Co.

*Oliver, Mary. (1979-present) Volumes of Poetry & Prose.

* Preston, John. (1983/1995). Franny, The Queen of Provincetown. New York: St. Martin’s Press.

*Thoreau, Henry David. (1865). Cape Cod. Boston: Ticknor & Fields.

*Vorse, Mary Heaton. (1942/1991). Time and the Town: A Provincetown Chronicle. New Brunswick, NJ: Rutgers University Press.

 

 

Don’t Call Me Inspirational: A Disabled Feminist Talks Back by Harilyn Rousso (2013).

Don’t Call Me Inspirational: A Disabled Feminist Talks Back by Harilyn Rousso (2013).

 

 

You can tell from the title that Ms. Rousso means business.  Her memoir explains life with speech, uncontrollable right hand, and gait skewed by cerebral palsy. Her life as the only disabled kid around, and her mother’s determination that she be independent led her to feel she could do anything, but she also felt she was at some fault for being different.

 

“Disability is seen as deficiency rather than difference…” (p. 159), she writes, and this sensibility is what Rousso finds to be the harder struggle—harder than any of the physical and health challenges she encounters as a result of the damage done at birth by the lack of oxygen. She is normal, the rest of us, well….

 

I am a TAB (temporarily able bodied) person, among my various identity markers.

Anything could change that: a deer darting in front of my car, an ice patch for a sudden fall, or a cancerous cell mutating fast. I dance up ladders, defy gravity while gardening (digging bushes out while root systems want to hold it in), drive daily on highways and Vermont dirt roads. A split second could change everything I know myself to be. Rousso was born with her disabilities; I will acquire mine. I’ve got everything to learn from this author who admits to struggling with shame, anger and frustration with her body and the clueless questions of those with no apparent flaws of their own.

Rousso would like us to come to understand how utterly capable she is. She gets so mad at people for not seeing her intelligence, for denying her access and inclusion.  Rightfully so she asserts that with all the movements for civil rights in the past few decades, the right to access (not assistance) still waits to be recognized. It leaves me wondering what are we afraid of. People in wheelchairs taking over the government? People with a disability having sex? That we’ll catch it?

A ramp to every entrance instead of stairs? (which actually would be accessible for everyone!)

When you look up at a person approaching, what do you notice first?  I sure see a wheelchair or a gait, then I focus on the face, the skin color, the gender, the individual, the clothing, and then I peek again at the gait, the walker or wheelchair. Rousso wouldn’t mind me peeking; she just wants me to see her for all of who she is.  Her collection of essays makes this point quite beautifully. She writes with more compassion than frustration about being an individual with strengths and a few physical differences. She has a great sense of humor, and a sense for detail, so her descriptions of the way she negotiates the world are compelling. She has a loving partner, a great and stimulating career. She’s designed a mentoring program for girls and women with disabilities, she write and paints. Her life is full and creative.

 

We are so many things—and we are marked and valued for so many qualities we have no control over.  So really, after reading Rousso (and Conley, Winterson, Schwarz and others in previous entries), I find myself wondering again, what is “normal”? And who among us would claim it?

“Run and Tell that!”

Reflecting on   Honky by Dalton Conley (2000).

 

The first time we watched the 2007 musical version of Hairspray, starring Nikki Blonsky and John Travolta, my kids were in fourth and fifth grade. After we stopped laughing over the scene where Seaweed  ( Elijah Kelley) reassures Link he’ll be safe in the black neighborhood and calls him “Cracker-boy,” I quietly suggested they not use the term in school the next day.  It just wouldn’t make sense to any of those white kids, I added.

 

Neither would “honky,” which is the moniker Dalton Conley uses to denote his whiteness growing up in the Masaryk Towers south of Avenue D in Manhattan. He describes the 21st floor apartment as having an outstanding view as fine as any upscale penthouse, as long as he didn’t look directly below, where the shattered glass and litter swirled on the sidewalks. Growing up in the 1980s, Conley was one of the only white boys in the public housing towers. In their neighborhood, hope could barely survive the destitution, and then the despicable flow of crack ravaged everything even further, deeper into despair.
Conley turns the tables on us. He is white and living in a predominantly poor Black, Hispanic and immigrant environment. Poverty was an equalizer for him there, though the middle and upper class backgrounds of his parents, their whiteness too, offered an escape hatch (hand me down clothing or cars) that few of his neighbors could count on. Conley’s mother dragged him by the ear on more than one occasion—to return stolen goods, get off the arcade game and get back to school. He saw how white and wealthy people could work things out between one another so small misdemeanors didn’t mean jail time—which was too often what happened for the Black kids.

 

His mother, Ellen Conley, was a force to be reckoned with as she steered her family through the mazes of city schools and housing. She had the agility (though not the financial resources) to figure out access—to managers or  better schools and safer housing. She also had tough rules: no lying, no riding on the outside of buses, and no playing on the streets on major holidays because those were the most dangerous days. This turned out to be true for Jerome that Fourth of July when the bullet hit his neck.

 

The world shifted for Dalton when his best friend, Jerome was paralyzed  by a ricocheting bullet as he walked down the block. “The old junkies never hurt anyone,” [Conley’s] mother said, pining for the days when heroin had dominated the local scene” (p. 185). After Jerome was shot, she started looking for a new place to live, and moved the family to an artists’ building in a neighborhood less prone to guns and violence.

 

Conley’s memoir offers insight into places I’ll never know, places that no longer exist, as his childhood was New York pre-crack and pre AIDS. Through his adult lens as a sociologist, he explains being in the minority as a white kid growing up in urban poverty, and learning how to be safe and cool in his neighborhood. His experiences as a kid with tattered clothes and scuffed sneakers were often embarrassing, but he learned there was more to school than cool. He describes a time he stood with the kids of color during a vote for music for a school dance. He stood with disco when the white kids wanted rock. His alliances often crossed this kind of line—boundaries other white people rarely realized even existed. 

 

What made Conley the man he is today? A white kid growing up in a tough neighborhood isn’t the whole story. This is also a tale of consequences. The kid whose best friend was Black and suddenly paralyzed acquires OCD behaviors. After Jerome was shot, Dalton kisses everything in the apartment before he leaves, kisses his family members two times on each cheek before he will let them go out the door. He takes that dual kissing into his adulthood.

 

By the end of the book we learn that Jerome goes to Hollywood and stars in a PBS film and settles in Oregon. Conley becomes an academic and administrator. His father played numbers on the racetrack and Dalton himself is running numbers too, but in a computer lab. He searches mathematical codes to understand “the leitmotif of race and class.”  Since Honky he has written on birth weight and health, sociology, and the impact of new technologies on individuality. But this memoir reaches beyond the academy. More readers may see what growing up in urban America is like, where bullets ricochet, kids play hide and seek in projects and parks, and the education system has to outwit the urge to drink and do drugs. Conley spins the tale so we see class and race vividly as part of white America too.

 

Seaweed, after the cracker-boy comment sings, “Run and Tell That!”

“I can’t see/Why people disagree/Each time I tell them what I know is true/And if you come/And see the world I’m from/I bet your heart is gonna feel it too.”  (Scott Wittman & Mark Shaiman)

 

Honky is about a white kid who loved his friends—Puerto Rican, Jewish, African American. Conley continues to search for the reasons for their differences.

 

I’m sure that the more we come and see the world we are each from, as the lyrics entreat, our minds will follow our hearts. This is not hyperbole or idyll romanticism. It requires extremely hard work. It is clear after reading Honky that as more white people tell their stories of race and class, the more we will understand that this  (landscapes of race and class, and gender too) is the world we are all from. The alliances are there for us all to join so the world can become a better place—if we dare.

Reading Grief

Grief comes in all sizes and shapes, kicks us in the nose when we least expect it. Out of the blue it appears, and suddenly we are grabbed by this thief of complacency. A phone call, a diagnosis, an obit in the paper. We grieve over innocence lost, childhood landscapes disappeared, parents’ clear minds fading, children harmed, lovers gone. Our losses may be in body, mind, or spirit, but we must grieve. There are no operating instructions for grief though, so we search for solace and some of us try to prepare.

We look to religion, nature and each other for clues on how to handle the huge things in life. Some of us look in places unlikely to provide them, like alcohol and drugs.  I read books.

Prior to my daughter’s arrival, I worried about how I would answer her questions about being adopted. The newborn would ask no questions, but would I know what to say when she queried as a toddler?  I found books that offered to help me navigate this terrain. They were infinitely useful and they served me well. I answered her questions and fielded concerns as though I really knew what I was talking about. The more conversations I have over the years about these issues, the more I know I really do know.

Now I find myself asking questions about grief.  I read these books with the same sort of interest I had as I waited for my daughter to arrive, trying to prepare for the inevitable.  Or maybe I’m soothing loses already sustained.

Over these last few blog entries, I’ve been reading memoir by adults adopted or not, searching for biological footprints, following their sadness, sense of something missing, their grief in not knowing their family of origin or their history. I’ve read about genealogical searches by adoptees (The Mistress’s Daughter by A. M. Homes (2007) or biracial and white folks (Gather At The Table: The Healing Journey of a Daughter of Slavery and a Son of the Slave Trade by Thomas Norman DeWolf and Sharon Leslie Morgan (2012)) curious to know the torn roots and broken branches of the family tree. These books offer insights from history, connection and narrative that help me understand others’ grief about racism and disconnection, and move through my own.

But now I’m drawn to stories about grief of a different kind, the intimate grief that follows the loss of someone deeply loved.

In Speak To Me: Grief, Love and What Endures (2011), author Marcie Hershman writes about reawakening to life after her brother Robert died of AIDS in 1995.  The Pure Lover: A Memoir of Grief by David Plante (2009) is about the forty-year relationship Plante had with Nikos Stangos before he succumbed quickly to cancer. Both writers found that grief hid everything when they tried to write the world after death. They each produced a slim volume packed with the pain of never hearing the other’s voice, or feeling the weight and nuzzle of a head on a shoulder. They are both searching for their own place in the world now without the other.

Hershman delicately explores sibling rivalry, the siblings each coming out, and the career trajectories they chose. Her brother, Robert Hershman, loved to tease his sister, “Why do you have to dramatize everything, Sarah Bernhardt?” (p. 10), and while reading her carefully guarded prose, we long for his sister to laugh again.

Plante describes his lover’s life in intimate descriptive paragraphs so the reader gains knowledge about the history of Greece, Greece during World War II, the couple’s life together from rags to a much richer way of life meeting poets and writers through their career trajectories. And so he won’t be lost forever.

Herschman’s book reminded me of all of the memoirs and essays I have read in the past about the grief of the AIDS pandemic.  To name a few: Paul Monette’s Borrowed Time (1988) was my first introduction to HIV/AIDS memoir, along with the stories Michael Klein and Maria Howe collected for their anthology, In the Company of My Solitude: American Writing from the AIDS Pandemic (1995). Mark Doty’s Heaven’s Coast (1996) chronicled walks in the Provincetown dunes with the dogs and the solace the poet found there as he wrestled with the grief of losing his partner of a dozen years. “An Exile’s Psalm” is an essay in which he wonders how to juggle that loss with newfound love in the Beacon Anthology, Here Lies My Heart (1999).

On the advice of a writer-friend who recommended it for the strength of its prose, I’ve just re-read Catcher in the Rye (1945). Holden Caufield’s character is a16 year-old, caught in the vise grip of having lost his brother Allie but never having time to grieve. The red hunting cap and little sister Phoebe on the carousel horse save him from himself.  J. D. Salinger captures many dimensions of grief from a young man’s perspective, especially depression born of such deep sorrow.

The lesson that runs through all these books is that weaving loss into the fabric of life is what we must do.  No arrangement of words will totally soothe the writer for the loss of a lover, child, sibling, friend or parent. Books cannot heal us back to the way we were before, but each and every word offers hope to the living and succor in the moment. We need all these guides to fathom our personal losses, and by extension to negotiate the losses we face as community members watching others lose loves through acts of public violence. I understand without a doubt that grief is something we all must get through. Grief is a giant wave that will splash, suddenly pull us under, pop us back into the light and roll us along, over and over again. From the darkness and the undertow we right ourselves into the light of the moment and continue, as we must.

 

One Hundred Names for Love: A Memoir by Diane Ackerman (2011)

This memoir is like reading chocolate mousse or whatever you adore consuming, while at the same time, being forced to realize the utter fragility of life. Language and love combine in every sentence. A dictionary is helpful because Diane Ackerman and her husband Paul West’s vocabulary is so extensive one must keep up. Their knowledge and use of words is dazzling, essentially out of the realm of a computer’s dictionary.  Both are well-established writers in love with writing and one another, and they are truly witty wordsmiths.

Memoir is a genre of non-fiction that offers a slice of the author’s life, a theme or a thread vs. an autobiography of their whole existence. If we consider memoir’s lineage, Gertrude Stein wrote the Autobiography of Alice B. Toklas in 1933 when really it was Gertrude’s own story she told. Toklas was a front (indeed, she always took care of Gertrude). I mention Stein because she set a precedent. She told her story through her interpretation of Alice’s eyes. In One Hundred Names for Love: A Memoir, Ackerman does the same.

That is, she writes as witness. She writes of her husband’s stroke and the devastation of the man she once knew, and of his heroic resurrection and recreation. His story is her story as she too is recreated. She is forced to shift from playful mate and writer, to caregiver-mate and writer. Many women become caregivers as soon as children arrive. Ackerman and West produced volumes of prose and poetry rather than bundles of baby. The care giving was not parental but that of adoring partners, creative colleagues and muse.

The wonder here is how Ackerman realized that traditional therapies to coach and coerce West’s brain to language were not sufficient. She besieged West, a British Oxford don, with incessant conversation and relevant fill-in-the-blank exercises, thus bombarding his global aphasia with words and stimulation that would arouse his curiosity. She encouraged him to write about his experience, and he accepted the challenge. That, and a swimming pool and patience were the healing combination. Ackerman learned to listen, knew her husband well enough to decipher his meaning, listened and loved him enough to laugh with him as his words danced with a new twist. He could remember language learned as an adult –words so obscure even Ackerman had to look them up — but not the immediate ones most of us use daily.

West’s memoir of his early aphasic months, The Shadow Factory, was published just two years after his massive stroke. He describes the indescribable—suddenly being globally aphasic. “Mem, mem, mem” (the only thing he could utter at first) is an excerpt available in The American Scholar (Summer 2007) (http://theamericanscholar.org/mem-mem-mem/). I have to suspend my inherent demands for logic while reading his essay, just go with his existential, poetic free-reign, and I’m rewarded with insight into an otherwise unfathomable realm.

Ackerman’s memoir is divine linguistic artistry, word combinations as beautiful as any rainbow, any recipe for a dish that melts in your mouth (oh mousse). But the story is as astounding as the prose. The brain damage is so severe a doctor reading CAT scan years later is in awe West wasn’t in a vegetative state. Having listened to Ackerman’s descriptions of West’s accomplishments, that doctor said “I’m so glad you told me this about him. It’s important to know what’s possible” (p. 294).

Diane Ackerman writes as a guide to the intimate universe of a stroke.  Her husband is speechless, a wordsmith without words, who utters only “mem” with a variety of tone and inflection. The relearning of language and physical skill is tedious, repetitive, ceaseless and also joyous and funny. The word mistakes heard with loving ears, sheer poetry. For instance, “No, a tiny zephyr roamed through the yard for about a minute and a half and it felt good,” meant the breeze was nice (p. 141). But the poet in Ackerman is delighted, which sustains her commitment to his recovery and their life together. The woman West calls, “Lovely Ampersand of the Morning” has written the ultimate love story of her husband’s recovery. It was only with her intimate knowledge of brains (she was on tour with The Alchemy of Mind when a health crisis prior to the stroke brought her home), her insight into language and her dedication to finding creative therapy for West that kept her spirits and self intact for the long recovery.

“Life is a thing that mutates without warning, not always in enviable ways. All part of the improbable adventure of being alive, of being a brainy biped with giant dreams on a crazy blue planet” (90).

Life is an improbable adventure. Ackerman, and West, provide intimate insight into the fierce world of caregivers, global aphasia and poetic passion, the latter illustrated by a terrific list of one hundred endearments so generously offered at the end of the book. I’ll try one here, then I think I’ll send it to my own sweetheart: Hi Honey, my “Baby Angel with the Human Antecede Within,” how’s your day been?

Gather At The Table: The Healing Journey of a Daughter of Slavery and a Son of the Slave Trade by Thomas Norman DeWolf and Sharon Leslie Morgan (2012).

 

I had to close this book frequently due to an eerie unease and a desire to deny. I stomped into the kitchen to make a cup of coffee and later stomped back for tea. But the book is just as intriguing and captivating as it is unsettling, so I headed back into the pages until I had devoured every one.

In her memoir Secret Daughter: A Mixed-Race Daughter and The Mother Who Gave Her Away (2006, watch for a later blog entry on this one), June Cross writes, “I was descended from a slave, a slave trader, and an abolitionist. The American Trinity” (p.297). DeWolf and Morgan search the depths of this trinity in their epic exploration, Gather At The Table: The Healing Journey of a Daughter of Slavery and a Son of the Slave Trade. They are utterly accessible writers and bravely honest as they breach each wall of silence regarding the complexities of slavery in the United States.

DeWolf and Morgan met at a Coming to the Table Conference, where black and white folks gather to make Dr. Martin Luther King’s dream come true:

 I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood (August 28, 1963).

 The authors follow this model as each one takes the other to meet family, building real knowing of one another before they try and come to terms with the power, privilege and despair of the legacy of slavery. They spend three years traversing 100,000 miles in the United States and overseas. One May they drove 6,000 miles through 21 states visiting plantations, museums, cemeteries, and archives.

Even generations after the ships carrying human cargo, the treatment of humans as chattel, and the fortunes made and lost with the labor of workers from Africa, Americans are living on this foundation. Our country was founded upon slave shoulders and land stolen from Native Peoples. The labor and love of generations born of many drops of blood from many cultures has built the infrastructure of this country. But slavery happened so long ago that many have wondered why it still matters. It matters because we haven’t understood the consequences, the ever-present privileges assumed or denied; the constant and present reiterations of denigration and denied access. And who wants to?  Who wants to allow all the truth of this legacy in?

The history of slavery in the United States isn’t pretty. It isn’t heroic and it doesn’t fit the myth of the individual pulling up bootstraps to success, or that hard work and perseverance will get you the gold ring. Slavery proves the lie of every single slogan.  I’ve had middle age students who cry with fury when they learn, for the first time, of the lynch mob hanging of Jewish-American Leo Max Frank in mid August, 1915, Emmitt Till’s late August, 1955 murder, Japanese internment camps and the initiative to brand gay people who are HIV+ in the early 1980s. This is a hug part of America’s multicultural history. My students are furious when they understand the depth of the silence, the lies, the knowledge denied them until now.

We need to know that facing the truths will allow us to understand the fuller picture of our history. Without all the pieces of this puzzle that is us (U.S.), we are held back, kept in a perpetual, peevish childhood of ignorance. We have to go right through the pain, know it, accept it, and integrate it. Only then the wounds can mend and we can all grow into mature Americans together.

Gather at the Table is a book for all of us. DeWolf and Morgan want us to figure out how to recover and heal from these fundamental founding injustices. Sharon Morgan allows us to know her frustration, distrust and even ambivalence at starting such a project with a white man. She is born of white and black families. She has lived her life paranoid and mad at white people. And she rages at the perpetual, everyday racism she encounters. Tom DeWolf has a famous captain of slave trader ships in his family tree. He has abolitionists too. He wrote Inheriting the Trade (2008) and participated in the POV/PBS documentary Traces of the Trade (2008) before embarking on this even more personal project with Sharon Morgan. His demeanor is more concern than anger.

I’m especially emotionally connected to these complex family-of-origin descriptions since a history of families of North Carolina, including mine, recently arrived from my Southern cousin. This particular tree begins with a soldier in the American Revolution and a deed of 1819 that includes “…in absolute legal right and title in and to the following negro slaves…” Here it is: officially and undeniably. I have to accept the slave owners when I only want to acknowledge the triple great uncle who was hung, in effigy after he publically criticized the KKK in his newspaper. I only want to acknowledge the Canadians who moved down from bitter cold Ontario to North Carolina in 1872. Those Wakefields married into the Southern legacy. The slaves were gone by then, but not the system of “just the way things are” dissymmetry of segregation.

Every time I closed Gather At The Table I pouted as I hustled to the kitchen, mumbling to myself that slavery was so long ago, why does it still matter?  There has always been this kind of treatment toward women. And gay people. And Jews.  And people with disabilities. What about the British, French, Dutch, Spanish and all their colonializations? The Pilgrims came to America to escape. There were white indentured servants. The Holocaust.  Rawanda. The Congo. There are more slaves now around the globe being trafficked than ever came over in the Middle Passage.  Every war, every conquering nation, claimed the defeated as slaves.

American slavery is deeply embedded in the American psyche. The racism is blatant and insidious and it is everywhere. Especially in the not-knowing or caring about history or lineage. Not-knowing our history is detrimental to black and white kids who don’t know the struggle for the vote, or black inventors and writers. Popular culture is perpetuating self-demeaning stereotypes and myths (consider my earlier blog piece on Losing My Cool by Thomas Chatterton Williams). Few schools are willing to teach the full history of slavery. So much has been hidden about the past.

Sharon Morgan is an ardent genealogist, so she and Thomas DeWolf include graveyards and archives in their itinerary. They even literally turn a gravestone over together so Sharon can verify an ancestor. Sharon encountered many dead ends as she combed records for former slaves and found much information incomplete. Thomas could trace and connect more and more lines of relations. Whole counties pledged some level of kinship.

Now I understand Sharon Morgan’s dilemma and frustrations. How could anyone find the story of Sarah, George, Heat, Daniel, Allen, Jenney, David and Moses from Hillsborough, NC of the 1819 deed cited in my family’s book?  Or the seventeen year old Caty and her child Nancy who were purchased as nursemaid for George Meredith Adams in 1829?  How will their ancestors find them? No last name. No place or date of birth. They were not deemed human enough to warrant these dignities, and their descendents’ humanity continues to suffer. This is another leftover of slavery, reaching through the generations to confound Morgan’s search.

Sharon Morgan writes with such pain (the source of so much anger) and clarity about her everyday encounters with bigots, her caution in encounters with white people, and personal loss. For instance, her very first entry begins with an expletive shouted at her about President Obama by a white man in a truck as she exits the post office. Mr. DeWolf writes of learning to listen, staying in the conversation, seeing the everyday lives of Ms. Morgan’s family and her reactions to his family. Morgan and DeWolf explain what they see, in themselves and about one another, as they travel together. They step right on the divides that have kept us from understanding one another, understanding the humanity of us all. After all these years of considering slavery from afar, Morgan and DeWolf invite me to cross the divide of denial too.  I come to understand the persistence of the haunting slave legacy, our particular aspect. Morgan and DeWolf say it this way,

“In America, more perniciously than anywhere on earth, slavery evolved into something quite different from other types that existed before–in treatment, length of servitude, and how the enslaved were viewed by their owners. Europeans created a new paradigm” (p. 106).

The truth is, we’re all twisted by the tenacious tentacles of this everlasting racism. We have left too little of this way of being cruel and devastating behind. “…violence, just like racism, is something we inherit” (p.116). We have inherited racism and the violence that goes hand-in-hand with treating other human beings as “other” rather than human beings. Dr. King’s dream of everyone coming together—from garbage men to Presidents—to work for a greater justice, will require us to disinherit hate and violence, and our propensity to dehumanize each other.

The slave trader and slave, economics and power dynamics prevent people from knowing one another and caring about one another as human beings with spirit and creativity, foibles and flaws. We are prevented from knowing one another by assumptions, unfounded bias. Borders are erected both real and imaginary through education, real estate, media, and legal systems that prevent interracial contact or pluck generations of young men out of their communities and funnel them to prisons for profit. We’ve got the ghosts of slavery leading policy, guiding the ever-present hand of oppression everywhere.

Gather at the Table encourages us to negotiate and acknowledge the past demons and welcome the present, for there is much work to do. DeWolf and Morgan put their intimate hesitations, confusion, anger, fear and trepidation right on the table for us to see. Their willingness to stop being polite, honestly ask questions and explain real experiences offer us a model for conversation. They go to the most painful places where slaves departed Africa, were sold at auction, were held for shipment. They listen to docents in museums tell truths about the conditions for slaves on the plantation and those who continue to perpetuate the fantasy of happy slavery. They describe a very young man leading a tour at a former plantation. His whole script drips of the romanticism of Gone With the Wind. They are astounded that the lies are being so blatantly perpetuated. Together they build a bridge to a more true awareness and acceptance of this American legacy. The bridge—remember the Edmund Pettus Bridge and the marches from Selma to Montgomery, Alabama? It took several attempts and much blood to cross that bridge for greater equality.

I am deeply humbled. None of this is new. But there are things I still don’t want to accept. Despite my life-long reading, research, teaching, and life-decisions, I dwell so perfectly in my white privilege. This book is terrifically discomforting; taking this journey with Morgan and DeWolf has made me more honest and more willing to continue to walk in the complexity of my daily life. Getting uncomfortable is a sure sign of new learning. We all have a place at Dr. King’s table and there is still plenty to do.